Thanks to all who watched and supported.
We raised more than $74,000 so far for organizations that are making a difference. |
Last Fundraiser from 2021Session #44
Day 'N Nite 2000s Club TracksSaturday, 13 March
3pm EST, 10 pm Beirut if you're over 30, you'll really enjoy this. if not, shame on you. in two hours, 3pm EST, 10pm Beirut, join me for the 44th In My House Livestream session featuring a delicious mix of 2000's club Tracks.
**some tracks.....** Stereo Love Love Lockdown Give me Everything Drop it to the floor Summer love No stress . . . . la lala lalalala This is the final week for donating proceedings to the Central Texas Food Bank. If you can chip in as little as $10 as you join us, it would be great giving. We're close to target. Those of you who have not joined the IMH Facebook Group, please do now! https://bit.ly/3p9oQOd Watch here: facebook.com/bhaddad2/ Donate here: https://bit.ly/3pNR1BU More info here: www.inmyhouse.live share this post! See you all soon. bassam |
IN MY HOUSE LIVE STREAM SESSIONS /FUNDRAISERS
SUPPORTED ORGANIZATIONSMartha's Table, ANERA (American Near East Refugee Aid), Los Angeles Food Bank, The Red Nation, AROC (Arab Resource and Organizing Center), UNRWA USA, NAMI (National Association for Mental Illness), MBL (Movement for Black Lives), Skoun, Muntada Al-Muq`adeen, UPA (United Palestinian Appeal), The Love Land Foundation, Growing Palestine, Doctors of the World-Iraq, The Lebanese Red Cross, DC Palestinian Film and Arts Festival, ACLU's LGBTQ's Rights Project, PartnersLebanon, Lebanese Red Cross
All proceeds from this live and every live stream will be donated DIRECTLY (no mediator) to the designated organization. |
STREAMOLOGY
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The Thump . . . A Retrospective Account of DC Club Scene
Back from the Basics
It’s never going to stop. That feeling when you hear the pulsating thump, accompanied by a fierce rhythm.
For the past 35 years, I’ve been glued to Dance Music, or Club Dance Music, as it is classically called, both as an enthusiast and a DJ. This is not the radio stuff. But the kind that moves you viscerally. That sound. The melody. The memories of a time when Night Clubs were (mostly) about the music and dancing, not voyeurism, grinding, and champagne in the VIP. Dj’s used to spend months and years learning how to perfect beat-mixing records that drew from the crowd’s energy while also educating their ears; Promoters had a commitment to the music back then, even if they were making money too. Some clubs had no promoters at all as other elements were the draw. Club owners owned Dance Clubs first, and a business second. And clubbers just reveled in the music—for the most part. Even hip-hop sounded better then—I say “even” because if you started going to clubs in the 2000s, you’d think that the club world was always dominated by that genre. In reality, the notion of “club” dance music historically was more associated with Disco, Euro High Energy, House, Trance, Techno, and the like. With the various changes in the music industry (yes, neoliberalism hit that too), mass tastes, and technological advancements, that world lives through a smaller number of venues in every city, almost world-wide. Despite notable exceptions among DJ’s, promoters, owners, and clubbers, things are different, to say the least. Yet, it is sill often exhilarating. We can’t bring all the magic back, but we can relive it virtually as we celebrate the current moment in club life. This is what I wish to do with many among this community, new and old, by launching a steaming podcast of music sets, writing, interviewing, and hosting testimonies from that magic era, from the mid-1980s to the early 2000’s, right before things went to shit . . . for the most part. |
DJ Residency Timeline
Desirée/ 1988
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BAJA & Anastesia / 1990
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Fifth Colvmn / 1992-1995
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Coco Loco / 1995-1996
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Zei / 1996
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Diva / 1996
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Babylon / 1997-2000
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Platinum (Fifth Colvmn Space) / 2000-2003
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Diva / 2004-2005
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1223 & Spank / 2005-2009
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I-Bar / 2005-2007
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Andalu & Aqua Ardiente / 2003-2009
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Lima & Retro / 2008-2012
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Opera / 2013-2015
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Greenhouse / 2016-2018
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Get In Touch
especially if you experienced the golden age but still want to jump and prance. others too, who grew up to mostly recycled 2006+ dance music
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Entering the Fifth Colvmn was a sublime experience.”